Wardour Chapel

 

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All Saints Wardour

The Arundells originally came from Lanherne in Cornwall.  Sir Thomas Arundell was granted certain lands of Shaftesbury abbey in 1547 after the dissolution of the monasteries, although he retained clear Catholic sympathies and was executed for plotting against Dudley, the Protestant Duke of Northumberland in 1552.  His grandson, another Thomas, was involved in the capture of Esztergom in Hungary from the Ottoman Turks in 1595 and was created Count of the Holy Roman Empire to the intense displeasure of Elizabeth I, who promptly imprisoned him on his return for his effrontery in assuming a foreign title.  He succeeded his father in 1598 and was subsequently created first Lord Arundell of Wardour by James I.

 

At this period, the Arundells lived at Old Wardour Castle, down in the valley, which was redesigned by Smythson, who was working at Longleat at the same time.  It was visited by Charles I, but subsequently ruined in the English Civil War.  The Arundells remained staunch Catholics, and the third Lord Arundell of Wardour was imprisoned during the Popish plot in 1678.

 

During the 18th century, the Arundells repaired their fortunes by a series of judicious marriages to heiresses.  Henry, eighth lord Arundell of of Wardour succeeded in 1756 at the age of 16 while studying abroad at St Omer.  He married Mary Conquest of Irnham Hall in Lincolnshire in 1763.  His mother died in 1769, and after her death, he determined to build New Wardour Castle.

 

After various vacillations, he chose James Paine as his architect.  Paine was a disciple of Palladio, and he designed a house of proportion and elegant austerity between 1770 and 1775.

 

This part of Wiltshire had at the time the largest Catholic population outside London.  In 1780, the Vicar of Semley wrote to the Bishop of Salisbury, in his annual return "should the number of Papists seem large for this parish, which is not a populous one, your Lordship will easily account for it from the vicinity to Wardour Castle.".  There were in 1780 43 Catholics in Semley and 324 in Tisbury; and Ansty was almost entirely Catholic.

 

Paine disguised the chapel. A Roman Catholic place of worship at this period could not be freestanding, and it was therefore placed in the west wing between bedrooms and the laundry. Pevsner however  observed  " .... It is so grand in its decoration that it seems to express consciously ...... The spirit of the Catholic ecclesia triumphans " .

 

In the background was Father John Thorpe, an English Jesuit resident in Rome.  He wrote to Lord Arundell 2 or 3 times a month over a 24 year period; and was responsible for the construction of the altar by Giacomo. Quarenghi.  Lord Arundell wanted a reticent altar in order not to offend Protestant sensibilities.  Thorpe agreed. "Angels holding candlesticks or crucifixes may look pretty in a drawing yet, if erected on an altar will perhaps have too much of the puppet show in England ".  He also opposed the erection of a baldacchino.

 

Thorpe chose Quarenghi to design the altar, which cost 600 guineas.  Quarenghi was known as "Palladio's shade upon account of his passion for that great man". 

 

Christopher Hussey, in his Country Life article in November 1930, describes the altar as "consisting of porphyry, agate and pietro duro....  the tabernacle in the shape of a circular temple has a porphyry dome and jasper columns with silver capitals and enrichments".  The altar was shipped from Rome in bits and was assembled on September 28, 1776.

 

Quarenghi went on to be Catherine the Great's architect and was for instance responsible for the Peterhof in St Petersburg.  He was a curious figure and Fr Thorpe wrote to Lord Arundell as follows " your Palladio is one of the most clumsy looking fellows that your Lordship saw, passionately fond of music and ready to abandon everything for it: he works when his clothes are in pawn and he has not a groat to pay for his dinner.  The English artists watch their times to get something from his pen.  He is so full of genius and fire that he cannot touch wine, drinks nothing but plain water, a small glass of any liquor would raise him into a frenzy.  Think, my lord, what a man I have to deal with".

 

Fr Thorpe was also responsible for various other items in the chapel:

 

  1. the Luigi Valadier sanctuary lamps.

 

  1. the relief marble panel of the virgin and Child by Monnot -- this was sculpted in 1703 and was once the altar piece of the Jesuit-General's private chapel (the Jesuits had been dissolved -- temporarily -- in 1773).

 

  1. the altarpiece. Of the pictures Christopher Hussey writes -- somewhat dismissively – “the altarpiece, of the Dead Christ, is by a certain Giuseppe Cades.  Pictures of a similar character hang on the side walls of the chapel”.

 

Cades is normally spelt Cadaz ; the other paintings in the nave are by Louis de Boullange and by Gerard Seghers , and four are ascribed to Gaspar de Crayer.

 

The altar contains relics of SS Primus and Secundus sent by Alexander VII in the 18th century.

 

The church was opened by Bishop Walmsley, the Vicar Apostolic of the Western district, on the feast of All Saints 1776 with ecclesiastical ceremonial not seen by Catholics in England since the Reformation.

 

The Gordon riots in 1780 caused a fear that the chapel would be burnt.  For a time, Lord Arundell arranged a keeper of the peace to be present at all services.  The rough pew at the back reserved for him is still there. In this year, it was reckoned that the church served a congregation of some 540 Catholics (compared to a total of some 40 or 50 Catholics in Salisbury).

 

In 1789, Lord Arundell resolved to extend the sanctuary end of the church, and consequently commissioned John Soane.  This work was completed by March 1790.  The flanking tribunes supported on Corinthian columns, the large segmented window behind the altar, the shallow dome above it and the low galleried wings are his work. Soane’s plasterwork and orders of architecture brilliantly extend Paine’s work but are richer and airier.

 

During the French Revolution Wardour provided a temporary refuge to a number of émigré clergy, including the Bishop of St Pol-de-Léon.

 

The passing of the Catholic emancipation act in 1829 allowed the Lords Arundell again to play a part in public life.

 

In 1898 the church was made over to a trust created by the 12th Lord Arundell.

 

In 1944 John Francis, 16th Lord Arundell of Wardour, died as the result of wounds received in France in 1940, exacerbated by a long imprisonment in Oflag IV-C (Colditz).  He was repatriated by sea to Liverpool but died before reaching Wardour.  On his death the barony became extinct, while the estate passed to Reginald John Talbot, great-grandson of the 9th Lord Arundell of Wardour through his mother, Mabile Mary Arundell.  In 1945 he changed his name by Royal licence to Arundell and his grandson Richard Arundell, Lord Talbot of Malahide, is the present chairman of the trustees.

 

The mansion and a small part of the estate were purchased by the Jesuits (a policy known as objet d'Arcy), but they were unable to raise sufficient funds to adapt the house to their purposes.  The house subsequently became Cranborne Chase School for girls, and has more recently been turned into flats.

 

In 1963, £30,000 was raised by appeal to restore the interior of the church.  The American diocese of Baltimore with which Wardour has been linked since the 17th century contributed generously. 

 

 

 

Michael Hodges, based largely on “Wardour -  A short history” by Philip Caraman SJ 1984

 

The parish